Today is Nicole Stutzman Forbes’ last day at the DMA. Nicole began her career in 1999 as an education McDermott Intern, and in 2012, became the Chair of Learning Initiatives and Dallas Museum of Art League Director of Education. This blog post barely begins to illustrate her hard work, passion, and humor (but I’ll give it a shot anyway).
Nicole is smart. During her time at the DMA, Nicole worked closely with the DMA’s collections – conducting docent trainings, leading workshops for teachers, designing educational and experiential resources for exhibitions, and leading tours for visitors of all ages (among other things). I would argue that she knows the collection better than most people on our staff. She is also very skilled at anticipating and attending to the little details while understanding the big concept, whether she is writing a grant proposal or developing a new project.
Nicole is fun. She knows when to be serious and when to laugh. A regular fixture at Late Nights, she could be spied animatedly chatting with visitors or chaperoning a teen dance party in the Sculpture Garden. She knows that good work does not necessarily mean serious work. Case in point: one of our annual education retreats was held at Bowlounge, a vintage bowling alley. What else is there to say?
Nicole isn’t afraid to try new things. She welcomes opportunities to experiment with different ways of teaching with art and working with partners. Nicole was the first to co-teach the Booker T. Washington Learning Lab at the DMA, during which visual arts students split their learning between their school and the Museum, which essentially becomes a second classroom. She embraced technology; first through the digitization and then expansion of our resources for teachers, and later through technology-based programs in the Center for Creative Connections Tech Lab. Rather than shy away from change, experimentation, and the unknown, Nicole eagerly explores new territory and encourages others to do so as well.
Nicole plays well with others. Perhaps her greatest legacy is the dozens of partnerships she has initiated and developed with schools, educators, community organizations, artists, museums, and arts and cultural organizations. Nicole strives to develop true partnerships, in which all stakeholders participate and benefit equally, building meaningful relationships that strengthen over time. I could write an entire blog post on these partnerships alone; suffice it to say that if you named a school, museum, or community organization in the Dallas area, she has likely worked with them in one way or another.
Nicole is a leader. For me, she is also a friend and mentor who championed my ideas and pushed me to think bigger. Nicole leads by her words and by her actions. She leads with integrity. She leads with energy and enthusiasm. She is highly respected among her peers, both locally and nationally.
But, don’t just take my word for it. When asked to share her thoughts about Nicole, Bonnie Pitman, former Eugene McDermott Director at the Dallas Museum of Art, quickly responded:
Nicole has always been a trailblazer, an innovator and a great educator dedicated to communicating art in new ways. In 2002-03, she led the DMA into a new domain – educational technology. Created in partnership with the UT Dallas’s Arts and Technology program, DIG! The Maya Project was one of the first ever museum interactive video games. There was little that was easy about it— as the process for this type of creative online learning through games had never been done before.
Nicole also actively sought to bring together the works of students and educators and artists in new ways for the public to enjoy and embrace. Poets, dancers, musicians, visual, and other artists have all actively interpreted the collections and the romps, stomps, and interactive displays have been enjoyed by all.This past year Nicole and I co-taught a course for medical students at UT Southwestern Medical School that focused on observing, analyzing, and engaging with works of art in order to assist the future doctors with their medical diagnostic skills. The reviews of the class were amazing in large measure because of Nicole’s passion for teaching.
I had the privilege of collaborating with Nicole on several exhibitions and programs. She organized col-LAB-oration (December 2003 – January 2004), an exhibition that took the form of an “idea lab” where visitors felt as if they have walked into the artist’s thought process. She invited students from Travis Academy to collaborate with Jesús Moroles on ideas with regards to sculpture. Nicole understands that true partnerships allow for everyone to come to the table and have an equal voice. These collaborative experiences take time to create and one size does not fit all. It is a privilege to work with a colleague who respects communities at large.
This blog post could be much, much longer. But I think you’re starting to get the point (or you’ve already gotten it, if you’ve been fortunate enough to work with Nicole): She is awesome. We’re so excited for her and her new adventure as the first Director of Extracurricular Programs at Trinity Valley School in Fort Worth. But man, are we going to miss her.
C3 Gallery Manager
Hello everyone! My name is Mariana Gonzalez and for the past eight weeks, I have interned with the Museum’s Education Department as part of the Mayors Intern Fellows Program. The program is highly competitive because it offers 350 students (over 1,000 students applied!) the opportunity to gain real world experience at an eight-week long internship. I am about to begin my senior year at Richland Collegiate High School. It is a charter school in Dallas where I am set to earn my Associates Degree in Science and my high school diploma this coming spring. I aspire to be a well-recognized artist someday and plan to continue my studies with a Bachelors in Studio Art.
Much of my job here as an intern for the Education Department involved getting dirty with many diverse groups of kids. I worked in the C3 Studio on some days and other days I was on the move with the Go van Gogh program! We created works of art and hosted all kinds of camps for the kiddos from fashion camp to a cosplay camp. Every day was completely different. I also had the opportunity to help guide a teacher forum. I essentially taught teachers about teaching art. From doing craft projects to visiting a few exhibitions, these teachers were offered the finest of opportunities to learn all about how we do things here at the DMA.
One of my favorite partnerships happened with the South Dallas Cultural Center. The Go van Gogh program and teens from the SDCC banded together to create temporary street art with duct tape. We began with marshmallow ice breakers, finding inspiration from artists like Banksy, and sketching out various designs. We outlined our ideas in chalk and finally worked the duct tape into the concrete to create street art. The entire experience was mind blowing –who would’ve thought we could make art on concrete out of non-expensive tape? These brilliant teens innovated my manner of thinking and that lesson will always stick with me.
When I was little, my mother taught me about many things, but no amount of preaching on her behalf could have taught me what I learned from the kids at the DMA. Working with such a vast amount of children allowed me to realize how much I enjoy their company. They are all young, vibrant, and honest. Something I looked forward to every single day of my internship. Overall, my internship transformed my summer into a memorable experience. I am forever in debt to my supervisor and all of the wonderful people who helped guide me on this fantastic journey of learning and teaching at the DMA. I even had the opportunity to be featured on The Dallas Morning News!
Mayor’s Intern Fellow
When I got the email saying I would be one of the five Summer Art Camp Interns at the Dallas Museum of Art, I was so excited because I knew this would be the perfect opportunity to blend my passions for both art and working with children. I am a transfer student from Kenyon College, and I will be attending the University of Texas at Austin this fall where I plan to be a psychology major. My dream would be to someday become an art therapist.
From the New World Kids Camp–a two week long camp that dedicates each day to an element of the sensory alphabet–I recognized that each child had a unique style and voice in their artwork. In only two short weeks I could pick out which artwork belonged to which child because of reappearances in themes such as warships or the color red. Working with these children as a summer intern has changed my opinion about art and its usefulness as a way to reveal interesting traits about each child. For example, certain kids used more curvy and open lines, whereas others were more exact and meticulous. These tendencies to create artwork with certain patterns revealed a lot about each child, and I enjoyed getting to learn about each camper through their art.
Not only was I startled by the overwhelming talent and interest in art created by all of the campers, but I also was excited to observe how creativity in young minds still holds strong, even with distractions today like video games and technology. I love what the DMA achieves in helping children by giving them a place and opportunity to express themselves in a way that is productive and meaningful.
Summer Art Camp Intern
In our family classes here at the Museum, we try to make sense of the art in more ways than one! Whether it’s through tactile objects that mimic textures we see in a painting, or listening to music that inspired certain works of art, we do our best to find creative ways to engage more than just our sense of sight when exploring the galleries. For this month’s Art Babies class, we kicked it up a notch and focused on our sense of smell.
Since babies already naturally rely on the five senses—sight, smell, taste, touch, and hearing—to learn about the world around them, they were the perfect audience for this sort of experiment. For me, though, it was a fun challenge to imagine smell as a pathway for exploring art. How could I bring smells into the galleries that were both baby-safe and art-safe? And how could I be playful and engaging in my approach? My solution—puppets and spice jars!
We began with a story featuring Jack the dog, inspired by Claude-Joseph Vernet’s painting A Mountain Landscape with an Approaching Storm. Jack smells something new in the air and sniffs from one furry friend to the next trying to discover what the smell could be. I used a loveable puppet to bring the story to life, and Jack quickly became fast friends with our little visitors. Several wanted to hug and kiss him, but they also imitated the puppet’s sniffing, and as the story progressed, more and more babies would scrunch up their noses and make sniffing noises along with Jack. (The little one pictured above was one of my most expressive sniffers!) When Jack finally discovers that his mystery smell is the scent of rain, the children and their caregivers made their own discovery too—finding a little dog in Vernet’s painting and noticing the ominous clouds in the top corner of the landscape.
Now that we had planted the idea of using smell to better understand what we see, families set off on a smelling adventure through the galleries, using repurposed spice jars filled with a variety of scents—from apple blossom and rain to fresh hay and mountain air!
Babies sniffed, shook the bottles like rattles, and stuck them in their mouths. Adults searched for paintings with objects that matched the smells. Together grown-ups and children found new ways to experience art.
Before the shrieks of delight and giggles could dissolve into tears or frustration at not being able to touch, we left the galleries and made our way to our sensory play stations. Here, any and everything can be picked up, mouthed, dropped, smelled, rolled, bounced, and more. And for a special smell-inspired play area, we offered the babies fresh flowers, oranges, lemons, and limes to smell and investigate.
I do believe that these little ones have quite a nose for art!
You can create your own smell-based sensory play at home with recycled spice jars, cotton balls, and scents. I found inspiration from this blog post. Be sure to avoid scents that might create a burning sensation (like wasabi, chili powder, mustard or pepper). My go-to source for unusual scents is the Demeter Fragrance Company. Smells like art to me!
Manager of Early Learning Programs
Hello all! My name is Christina Miller and I am a first year graduate student at Texas Woman’s University, earning my Masters of Art in Teaching. Interning at the DMA this summer has really taught me so much about children and art. Rather than the camp teachers and interns teaching the children about art, throughout this experience, the children have been teaching me. The camp that was by far the toughest but most rewarding was the Hands-On Art for Children with Autism. This was my first experience working with children with special needs. I am pretty sure that I was just as nervous as the children were on their first day of camp, but I knew it was important for me to learn to work with children with a variety of abilities, since teaching will be in my near future.
The children all had different personalities and were on different levels of the autism spectrum. It was amazing to see how some had such an incredible memory! From remembering artists and their artworks, to songs, to even art history movements. One thing they all had in common was hard work and participation. Although each of them may have differing needs, they are all talented. I was so happy that I had the opportunity to work with this camp. I can proudly say that this internship has prepared me for my future as an art teacher and taught me how to truly bond and work with students with a variety of abilities.
Summer Art Camp Intern
I tried to set few expectations for my first day of summer art camp at the DMA. Now, as the clock strikes one each Friday, I still can’t predict what will happen the next week in camp for another batch of aspiring, artistic youngsters. One thing I can feel certain of as the end of a week draws near, is that I’ve had a blast with a bunch of unique, imaginative kids and a few bottles of tempera paint.
I’ve been lucky enough to be a part of the DMA’s program that allows kids to incorporate art into their lives in fun, engaging ways with the help of some awesome and caring teachers, volunteers, and interns. These kids arrive at camp with minds teeming with creativity and energy that is infectious and inspiring for a college student trying to figure out what to do with her life and love for art. Again and again, campers teach me how to have a bit of fun in the process of art-making, while surprising me with the friendships that come along with it. So, while creating art is something special in itself, sharing it with others is a whole other experience that I’m grateful these kids and I have had this summer.
After I say a bittersweet goodbye once again today, I’ll hope that they continue to play with art and express their most imaginative ideas to the world after they leave our finger-painted doors.
Summer Art Camp Intern
Today is France’s national holiday, what we Americans like to refer to as Bastille Day. The date marks the storming of the Bastille in 1789, an event which ignited the French Revolution. Much like our July 4th, the holiday is a day to celebrate national pride in France with food, music, and fireworks. Here in Dallas, you can join in the celebration and commemorate our city’s own French connection at Bastille on Bishop.
But before you head to Oak Cliff this evening, stop by the DMA–we’ve got a few revolutionary works of our own on view in our European galleries on Level 2.
This grand new acquisition is a portrait of Louise Marie Adelaïde Eugénie d’Orléans, daughter of Louis Philippe Joseph d’Orléans. Although the Duke of Orléans was one of the wealthiest French aristocrats and cousin to King Louis XVI, he desired a more democratic government and supported the ideals of the French Revolution. Unfortunately, however, the Duke was not able to escape the Terror, the most violent period of the French Revolution, and met his fate at the guillotine in 1793.
Jean-Nicolas Billaud-Varenne rose to power during the French Revolution, becoming a member of the governing body that oversaw the new republic. He was an active participant in the Terror, the violent time when thousands who were considered enemies of the new state–including the Duke of Orléans–were executed by guillotine.
This painting shows Monsieur George, an aristocrat imprisoned during the Terror and subsequently released, gratefully greeting his former prison guard. Monsieur George has returned to the prison with his wife and servant to thank the guard, who had generously provided financial support to the family during his imprisonment. Liberté, égalité, fraternité, indeed!
Joyeux Le Quatorze Juillet!